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JR regularly returns to the port of Le Havre
Conservazione perfetta con piega centrale e margini editoriali intonsi
but he distinguished himself for a solitary choice: the use of color in abstraction rather than figures
so that the thoughts of many hearts will be revealed
Ukiyo-e shûka 14 (1981)
MIRÓ JOAN, Cartons - Tav. XIX, 1965 sculture JR regularly returns to thePerfect impression. Table for Derrire le miroir, Mir Peintures sur cartons, Paris 1965, printed by Arte Adrien Maeght. Perfect condition, with intact editorial margins. On the back, part of the Mourlot lithograph no. 378. Bibliography Mourlot no. 379 Cramer no. 102
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